Cry's voting consensus - Lets Beef

**Babylon** · #1 05-22-2014, 02:16 AM

S/o to @ViTRiOL for the idea.

I'm going to start voting like a dick on you guys, I'm tired of seeing people dropping dimes on my battles when I'm using a 6 verse at best.

#VoteRealistically

1: Lack of or incoherent punches, broken / one syllable multi's, no fluidity within the structure, lacking cohesiveness within the subject matter, and overall lacking creativity.

2: Lack of or incoherent punches, broken / two syllable multi's, half-bent structuring, overall lack of creativity.

3: Lack of or incoherent punches, broken / two syllable multi's, lackadaisical / lazy structuring within your verse, half assed creativity

4: Lack of or incoherent punchlines, broken / two syllable multi's, forced rhyme patterns, off flows, half assed creativity

5: Very basic punchlines, irrelevant set-ups, forced rhyming, fluidity intensive structuring being basic and half-assed, played subject-matter conceptually

6: "Iffy" punchlines, conceptual cohesiveness but lack of direction, decent execution, 2-3 syllable multi's, grasp on how to structure a verse conceptually but lacking creativity or drive to make it hit home

7: Okay punchlines, conceptual know-how, directional awareness within structuring a fluidity comprised verse, grasp upon multi syllabic content

8: Decent punchlines, creative & unique concepts, relevant setups leading to haymaker punches, conceptually strong jabs that flow well into the impactful punchlines, firm grasp on multi syllabic structuring

9: Conceptually creative & impressive punchlines, concepts that you wouldn't be able to think of on the spot, borderline flawless multi's that flow fluidly within the verse, interconnecting multi's to diversify the structuring and provide more of a less-systemic read

10: Eye opening punchlines, concepts that make you read them allowed when seen, multi syllabic structuring that seem to fit perfectly within the verse, being relevant to not only the punchline/jab they're related to but also giving off mini jabs within themselves, fluidity intensive structuring that makes sure your readers don't have to pause once between your bars, creative prowess that proves you are an emcee unlike most with concepts that surpass the norm of battle rap

**Babylon** · 05-22-2014, 02:16 AM

S/o to @ViTRiOL for the idea.

I'm going to start voting like a dick on you guys, I'm tired of seeing people dropping dimes on my battles when I'm using a 6 verse at best.

#VoteRealistically

1: Lack of or incoherent punches, broken / one syllable multi's, no fluidity within the structure, lacking cohesiveness within the subject matter, and overall lacking creativity.

2: Lack of or incoherent punches, broken / two syllable multi's, half-bent structuring, overall lack of creativity.

3: Lack of or incoherent punches, broken / two syllable multi's, lackadaisical / lazy structuring within your verse, half assed creativity

4: Lack of or incoherent punchlines, broken / two syllable multi's, forced rhyme patterns, off flows, half assed creativity

5: Very basic punchlines, irrelevant set-ups, forced rhyming, fluidity intensive structuring being basic and half-assed, played subject-matter conceptually

6: "Iffy" punchlines, conceptual cohesiveness but lack of direction, decent execution, 2-3 syllable multi's, grasp on how to structure a verse conceptually but lacking creativity or drive to make it hit home

7: Okay punchlines, conceptual know-how, directional awareness within structuring a fluidity comprised verse, grasp upon multi syllabic content

8: Decent punchlines, creative & unique concepts, relevant setups leading to haymaker punches, conceptually strong jabs that flow well into the impactful punchlines, firm grasp on multi syllabic structuring

9: Conceptually creative & impressive punchlines, concepts that you wouldn't be able to think of on the spot, borderline flawless multi's that flow fluidly within the verse, interconnecting multi's to diversify the structuring and provide more of a less-systemic read

10: Eye opening punchlines, concepts that make you read them allowed when seen, multi syllabic structuring that seem to fit perfectly within the verse, being relevant to not only the punchline/jab they're related to but also giving off mini jabs within themselves, fluidity intensive structuring that makes sure your readers don't have to pause once between your bars, creative prowess that proves you are an emcee unlike most with concepts that surpass the norm of battle rap